Tuesday 15 June 2021

People at Amarna


I have recently listened to an excellent lecture by Chris Naunton People at Amarna - which is about the ancient city of Ahketaten; the archaeological remains at Tell El Amarna; and the Egyptologists who  made discoveries and studies at this site, which have contributed to our knowledge of that particular and fascinating period of Egyptian history.   The lecture gave a whistle-stop tour of the archaeologists/Egyptologists/artists who recorded their finds at Tell El Amarna and which are invaluable records for todays scholars. He has written a book on this subject called ‘Egyptologists Notebooks' and it was published September 2020 (its definitely on my Christmas wish list!).  I really recommend checking out the lecture and I was astounded by how much research he has put into this subject.

One of the things which strikes me after listening to the lecture is how many original artefacts have been lost since the earliest records of the site.  In particular when Flinders Petrie excavated there he discovered a wonderful floor painting showing naturalistic scenes of birds and animals.  Instead of removing the floor and bringing it back to England to conserve it he left it in situ and covered it with a structure to create a museum.  However this back fired on him because the tourists who came there annoyed the surrounding farmers when they traipsed through arable land.  So the farmer smashed the floor to pieces in anger.  I was so dismayed to hear this and it reminds me (a little bit) of the destruction of archaeological-historical sites in Syria by militant groups in recent times.

Perhaps Petrie should have removed the floor and located it elsewhere.  This I know is political, when the right thing to do is leave it in Egypt.  I am torn – I am able to visit museums and get close up to the beautiful creations, and I don’t know if I will have the opportunity to visit Egypt.  Wall paintings found in tombs at Amarna have now degraded much more than when they were recorded in the early part of the 20th Century,  but it’s not easy to remove a whole wall of a tomb.  Nor should it be done as these are sacred sites which once house the remains of people and should be respected.

I love to see the Elgin Marbles at the British Museum; the ferocity of the horses is so powerful.   Who knows if the marbles would have survived the pollution if they had been left on the Parthenon in Athens.

(Incidently Chis states in the lecture that some of the broken fragments have been gathered up and are on display in the Egyptian Museum in Cairo)

Tuesday 26 November 2019


Tutankhamun Exhibition London 2019 - A Review

3 November 2019 Saatchi Gallery London

We entered as a smallish group at 13.30 with a short tv presentation about the discovery of the tomb and Howard Carter in a 180 degree screen.

The theme of the film was two great names come together and Tuts name will live forever - which is after all what every Pharaoh aimed for.

As I entered the dimly lit gallery there was atmospheric music playing softly and the items there were certainly showstoppers - such as the Lotus vase below.   



You are allowed to take photos without a flash
* The photo's in this post are my own

I was certainly blown away by the artistry and craftsmanship.

My favourite artefact was the Arrow box.  I loved the artwork which was very delicate and beautiful.  I loved seeing a young girl sketching the Tutankhamun bow in her sketchpad whilst her mother patiently waited.  Reminded me of my younger self....  There were scenes of hunted animals and Tutankhamun shown as a Sphinx



Everyone was patiently waiting their turn to see exhibits and take photos. 

The miniature coffin to guard the kings liver - I could just see inside where there were hieroglyphs and Isis with her wings held up like she was embracing the king (in protection!)


I took lots of photos but the high humidity was getting to me a bit - which was to help preserve the ancient objects.
 There was a lot of enthusiasm although I forgot this was London and strangers keep to themselves.  I did ask a lady to take my photo of me next to a fantastic necklace





This was a well put together and tasteful exhibition although this is not for academics, rather an exhibition for the masses to ignite a new generation of fans. I was there for 2 and a half hours but it passed in the blink of an eye although by the last gallery I was exhausted and I don't think it warrants a second visit as I have to travel so far to get there.  I've seen all I wanted to see.  It was quite overwhelming and I can now imagine what the Cairo Museum must be like.

One person commented that there would be Egyptomania once again!  I certainly hope so as I was too young to experience it the first time around....


The gift shop was a mix of tasteful and tacky expensive and reasonably priced.  You could even buy a replica Golden Mask although I didn't see how much that would cost. I bought the exhibition guide book for £15 and tasteful handbag mirror (£7) and a Ankh keyring (£5 I think).  There were lots of books by Zahi Hawass including a weighty book for £50 although it wasn't just about the exhibition and had much about Tutankhamun and Akhenaten and Nefertiti. I was tempted to buy the cross stitch kit for £10 but I thought that it would end up the draw unfinished...

Monday 18 November 2019

Why Egyptology?

My husband asked me why i like Ancient Egypt.  He said its quite a dark subject.

I guess that can be true as a lot of the studies about Ancient Egypt is centred around their burials and death and their beliefs about the afterlife.

I had to think about why because I don’t really like the death part and looking at mummified pharoahs makes me sad.  They look so vulnerable. And also a bit grusome. Their teeth bared as the lips have receeded back to the gums and skin taught over the skull.  I also feel they should be left in their tombs rather in a museum to be gawped at.  Although there is a conflict inside me which says that if Egyptologists don’t find the tombs graverobbers will and desecrate the mummies.

There is one thing -their names will last forever and that is what they hoped by building monuments and temples in their lifetime.   The same thing is true today - we want to leave a legacy to be remembered for our achievements.  For some that is conquering Everest or being a great actor, or, on the flipside a powerful dictator.

I love the art, craft and monuments they created.  I am fascinated by the beatiful things they left behind.  It is the gold and glamour that interests many.  There is so much we know but also so much we don,t.  What did the Pharoahs really think and feel?

 I dont think i will ever know everything there is to know on the subject.

Monday 26 November 2018

Home made bread.




A little off topic but I was so pleased with how these came out and how satisfying it was to make bread a sustainable and more environmentally friendly way.  (I have been following Rob Greenfield and been inspired)

I made the rolls without a bread maker, in a bowl using my hands and also didn't use any cling film or pastic wrap to prove the bread.  Just next to a warm radiator with a tea towel over the top. (tall cups can be used to keep the cloth from touching the bread as it rises). 

It was a simple recipe - flour, water, oil, margarine, yeast sugar and salt, kneaded for 7 mins, divided into rolls sprinkled with sesame seeds, proved in the tin for 40 mins and cooked for 20 mins.

It was yummy!

Thursday 15 November 2018




Calling all Ancient Egypt Fans


If you love ancient Egypt like me and are reading this blog it would be really lovely to hear from you. 

Leave a comment (click on pencil icon at end of this post or email me at Nefertiti_ukjk@yahoo.co.uk

How did you get into Egyptology?  What do you love best about the ancient Egyptians?



Sunday 11 November 2018



Yesterday I attended the Chris Naunton talk ‘Searching for the lost tombs of Egypt’ as part of the Taunton Literary Festival 2018   in association with the Taunton Egyptology Society (UK)

Having turned up late I unfortunately missed the intoduction but at least I was there in time to hear intesresting facts about the Amarna period (Akhenaten and Nefertiti) - my favourite subject.

I found out that there is sculpted stone head of Nefertiti found in the same ancient sculptors workshop as that of the famous bust (now in Berlin). The following article from Nile Magazine gives details of this. https://www.nilemagazine.com.au/2015-september/2015/9/26/the-unfinished-head-of-nefertiti

And fragments of Akhenatens Sarcophagus fragments are reconstructed outside the Egyptian Museum Cairo.

One of the hypothesis Chris put forward is that Smenkhkare married Meritaten -oldest daughter of Akhenaten. There was a slide showing a line drawing from a badly damaged tomb decoration depicting the two figures together-but i didn' catch who recorded it or how the identity of the two figures was confirmed.  I hadn’t heard this before.  I was aware of a theory that Smenkhkare was Nefertiti-she took the name to rule as Pharoah after Akhenaten died.

He also suggested that Nefertiti was known as Neferneferuaten and that this name was erased from the famous mask of Tutankhamun and replaced with Tutankhamuns title instead.  This would support the theory that Tutankamun was buried in haste and grave goods were appropriated. In fact there is a mummy chest band which bears the name Neferneferuaten on the reverse. Also the brown spots (mould) on the walls of the tomb would point to the tomb being shut up before the paint had dried it was suggested.

He was also promoting his book on the missing tombs so I,ll have to try to read it sometime to learn more about these intriguing theories.  Sadly there wasnt much about possible locations of the lost tombs.  However he did say that there is a currently a project in the west of the Valley of the Kings to find Tutankhamuns wife’s tomb.

On the subject of the theory by Reeves that there is a hidden room behind the wall in Tut's tomb he did say that the first survey found traces of metal in the wall but the second one didn't. The third survey has never been published but the Egyptian Antiqities department are saying the investigation is closed.  I got the impression that Chris still thinks there might be another chamber.

The next talk of the Egyptian Society Taunton is By Barry Kemp who has led expeditions to Amarna for many years- that will be an interesting talk -sadly i wont be able to go.

Notes about the talk may be on Janet Diamond's website - she had attended many lectures about Egypt including those given by the Taunton society.


Friday 26 October 2018

Nile Magazine



I have recently started buying the glossy Nile magazine.  A must have for anyone interested in Ancient Egypt.

It's a cross between an academic journal and fanzine and has many wonderful colour pictures of artefacts.  Articles are written by Egyptologists and it also welcomes articles by laypersons too.

Tutankhamun tomb really belongs to Nefertiti?
In issue 15 there is a fascinating article about the meaning of wall paintings in Tutankhamun tomb. -(and a modern interpretation as Nefertit's Union with Akhenaten.) The article claims that the tomb was originally intended for Nefertiti.  Of course her tomb hasn't been discovered yet. 

The following is from an article published by Guardian newspaper in 2015 about the paintings:
"But the murals also hold hints of Nefertiti, Reeves wrote. He argued that one image does not show Tutankhamun but rather Nefertiti. The figure has the “somewhat scooped brow and nose and a straight jawline with gently rounded chin” that appears in her portraits, according to Reeves. He also wrote that he believes about 80% of the burial equipment in Tutankhamun’s tomb was made for someone else.
Nefertiti died about seven years before Tutankhamen and loomed large over her era of Egyptian history. She supported her husband’s (Akenaten) conversion of Egypt, presided over a period of striking art – some of its most famous works are sculptures of her –and may have ruled the kingdom alone in the years after Akhenaten’s death.
Reeves subscribes to the theory that Nefertiti ruled as her husband’s successor – but as Smenkhkare, the name of an enigmatic pharaoh who briefly ruled after Akhenaten.

https://www.theguardian.com/culture/2015/nov/08/king-tut-tomb-infrared-scans-queen-Nefertiti

Visit the magazine website to find out more

Thursday 11 October 2018

Woodland friends inspiration



Inspiration from nature is all around me - I just have to be in the moment- mindful.   A rabbit darts out across my path on my walk home.  Or the sparrows and green tits flit away from the bird feeder hanging from someone's balcony as I approach.  I stop to collect some Calendular (Marigold) seed heads or pick an apple or two from a tree (no one else seems to do this in the 'mini orchard' -so I may seem a little strange.



A walk in the autumn sunshine on the way home from work is so good for the soul.....


Thursday 6 September 2018

Egyptian Poem - King Tut


 I composed the following poem, inspired by the popular Egyptian revival songs of the 1920s which were themselves inspired by the discovery of Tutankhamun's tomb:


He married young
Under the Egyptian Sun
The boy king
For whom we sing
 
A figure of mystery
Most famous in history
Cut down in his prime
Immortalised in rhyme
 
Carter found the tomb
Tut’s resting room
Full of gold
Objects so very Old
 
King Tut
King Tut
He’s our hero
Oh Oh
King Tut
King Tut

If you want to read more about how Ancient Egypt has inspired art and culture I can recommend the following book by Bob Brier;

Egyptomania


Have a great day!

Monday 3 September 2018


The Scarab Ring Mystery.




Here is the story I have written recently to enter a competition at my local library. (sadly I didn't win) It is a fictional mystery/romance story about lost and found and chance meetings.  I'm a great believer of fate...

Its also inspired by The Red Notebook which I thoroughly recommend.  Another mystery which centres around a lost handbag and the contents which help the hero to find the owner.  I won't tell you more otherwise it won't be much of a mystery. There are some references to Egypt in that novel too!


Short Story

It was just over a year ago today when I made a discovery that would change more than just my life.


I was in Gordon Square Garden – a peaceful gated green space surrounded with mature chestnut trees, in the west end of London, waiting for the Bloomsbury Theatre to open so I could start my shift working in the box office.  I sat down on a bench bathed in the late afternoon sunshine and almost straight away something shinny caught my eye next to the bench.  When I looked down I could see it was an Egyptian scarab ring.  I looked round for a possible owner but the green was empty apart from myself and some pigeons feasting on a half-eaten panini nearby. The scarab which was 1cm wide, made of a lovely blue stone and set on a disc of gold with a scattering of small diamond chips set into it and this was mounted on to a thick band of gold – the hall mark showed it was 18k gold and there was an inscription on the inside of the band which read ‘My forever Nefertiti’. 


I didn’t know where the nearest police station was, and as it was a Sunday afternoon the nearby university buildings were all closed. How would I find the owner?  A romantic notion occurred to me – I decided to leave a note fixed to the bench. In my satchel I had; a roll of sticky tape that I used to wrap a friends present the previous day; an old faded shop till receipt; and a pen which was still working luckily.  Maybe if I left the note and prayed for the rain to stay away the owner would return and contact me.  I placed the ring securely in my wallet and wrote ‘Nefertiti I found your ring - come to the Bloomsbury Theatre Box office and ask for Mike’. I then taped this to the back of the bench and left the green to start my shift.


Later that evening after clocking out and since no one had asked for me, I returned to the green but of course I forgot the gate was locked at 7pm every night.  I couldn’t get in.  I’ll come back tomorrow’ I thought. ‘I have a free day so I’ll browse in Foyles bookshop nearby in Charing Cross Road’.


The next day started off wet – there had been a scattering of rain in the night and I was worried that my note would be waterlogged. Before setting off I grabbed a small note pad, pen and poly pocket (the kind you put A4 sized paper documents in with hole punches for ring binder folders).


By the time I got to the green it was late morning– after battling through the summer holiday hoards on the underground, tourists with rucksacks jammed into your face as you struggle to get out at your stop and gloomy looking business people glued to social media on their phone.  I emerged into the smoggy sunshine coming out of Goodge Street station on Tottenham Court Road.  The puddles were starting to dry up thankfully and I hurried up to Gordon Square again. 

The green was much busier than before, the elderly gent with his morning paper sat on a bench at the far end, a dog walker scooping up little ‘presents’ her dog left behind, and a group of students  (I guessed they were anyhow!) engaged in a heated discussion about the merits of a University education in today’s society.  When I got to the bench at the far side there was no note or even any remnants or bits of sticky tape.  Ok this time I’ll put it in the pocket and tape it down with lots and lots of tape and mark ‘For Nefertiti only’.  So that’s what I did. I wrote ‘Nefertiti I found your ring - email me’ I added my email address (but not a telephone number as I didn’t want to get calls from crazy people in the middle of the night). As I left the park I asked the old man if he had seen anyone take a note off the bench that morning but he hadn’t.  Nothing left to do but go off to Foyles. 

After an interesting morning reading up about Egyptology in the bookstore I found out that there was a museum dedicated to Ancient Egypt nearby in the grounds of University College London, called the Petrie Museum of Egyptian Archaeology.  Perhaps the owner of the ring visited the museum that day. It’s worth investigating I thought!  I found the entrance to the museum after googling the address– it was an understated entrance one could easily have missed it. It’s not apparent from the outside that thousands of years of history are kept within. I climbed up the dusty stairs –I peered into the museum with dimmed lights and a slight musty smell.  There were cabinets and glass cases crammed with pots and other artefacts, and on the walls too were beaded necklaces and amulets. It astonished me to discover how many different kinds of clay pot there were and how the style of pot was the clue to its’ date.  I found a kindly old silver haired gentleman sitting quietly next to a rack of books about Egypt and a cash tin with the key still in the lock.  He looked above the rim of his glasses at me “can I help you sir?”  I explained about the ring, where I found it and about the note, and asked him if he knew anything about it or who the owner might be.  The answer was negative, unfortunately he couldn’t tell me.  Just then a young attractive woman popped out from behind a cabinet; she had been eavesdropping; “I can tell you about the ring”. My heart jumped in excitement as I thought the ring was hers.  It wasn’t though.

“The beetle is made of lapis lazuli a semi-precious stone and is highly symbolic. In Egyptian art the scarab is the depiction of the god Khepri; the god of creation and renewal.  Khepri renewed the sun every day, rolled it above the horizon then carried it through the other world after sunset only to repeat the process the next day and so on.  Just as the dung beetle pushes its dung ball. Not so romantic in this day and age eh?” She chuckled.  “The sun disc or ‘Aten’ was the symbol of the sun god Re and Nefertiti was the queen of the so called heretic King Akhenaten.  He forsook all other Egyptian gods to worship just Re. Nefertiti is my favourite queen of them all. She was a beautiful woman and whoever’s ring it is must also have been perceived as beautiful by the person who gave the ring. The inscription also says ‘forever’ referring to the Egyptians belief of the continual renewal of the sun.  Of course they didn’t use diamonds in their jewellery. But I would suppose the diamonds represent stars. The ring is not a reproduction of any ancient artefact that I know of though.” 

“That’s really fascinating” I said.  “Although it won’t help me to find the owner sadly.  I’ll have to check my emails and visit the bench each day”

“Would you like me to keep an eye on the bench to save you making a journey every day, although you are welcome to pop in to the museum if you’re passing at any time” she replied.

“That’s so kind of you, OK let me give you my email address and we can keep in touch.  By the way my name is Richard”

“Lovely to meet you Richard” she said shaking my hand. “I’m Laurie, the Museum Curator here”.

After leaving the museum I popped back to the bench – my note was still there this time so I returned home by tube thinking “I hope I see Laurie again”.

Over the next two weeks I heard from Laurie everyday about the progress of my note. Yes it was still there or if it wasn’t she would rewrite the note and stick it down again.  Eventually I had to resign myself to the fact that the owner wasn’t coming back.  Laurie had put up a note in the museum and contacted the Egypt Exploration Society in case the owner was a member.  Over the weeks and months gradually Laurie and I got to know and become fond of each other.  I would visit the museum when I could and we’d have coffee at the University Union coffee shop at least once a week – or when I had an evening shift at the theatre.  Till we realised after a short time that we had fallen in love.  We then planned to get married.

The wedding was a very small occasion with close friends and family at Laurie’s local registry office in Islington.  We still had the scarab ring so thought it would be fitting for Laurie to wear it for the day.  Afterwards we took taxi’s to the Petrie museum to have a finger buffet reception.  All our friends wished us well and everyone was fascinated by the ring and how it had brought us together. One of Laurie’s colleague wrote an article and posted pictures on the Museum Webpage about the ring and its part in our romance.

It was about six months later that Laurie received an email from a lady called Amelie it said “I’m Nefertiti”.  She attached a photo of herself –  where the ring was clearly shown on her hand- her arms were crossed like those of a mummy. We were thrilled the owner had been found.  She lived in Somerset but was planning a trip to London and wanted to check the museum website for upcoming events.  Which is when she discovered the article about her ring. Not long after that we arranged to meet up at the Union coffee shop as she wanted to visit the Petrie Museum as well.

Laurie and I anxiously waited at a table for Amelie. Thankfully the room wasn’t too busy for a Monday morning. Amelie appeared at the door waving enthusiastically.  After passing the ring to her, her eyes welled up and she immediately put the ring on.

“I’m not ever taking it off again.” She said

After ordering three coffees she explained how the ring had been lost;

“A bee stung me on my finger and it started to swell up so I took off the ring and left it on the edge of the bench whilst I searched through my bag for hand sanitiser.  I obviously forgot about it being worried about the sting.  I had planned to visit the Petrie Museum but had to abandon the idea. It wasn’t till later that I discovered it was missing. I retraced my steps the next day and the park was the first place I visited.  I didn’t see a note on the bench.  I had given it up for lost.”

“Wow”, I said.  “If you had found the note on the same day you lost it I would never have come to the Petrie Museum and met Laurie.  I am glad though that I can now return the ring to you. But who is the person who wrote the inscription?”

“That’s my dad” she said “He loved reading about ancient Egypt and commissioned this ring for my 18th birthday. He used to call me Nefertiti referring to the meaning ‘The beautiful one has come’.  He nicknamed me that on the day of my birth but my mum wouldn’t let me be called that legally. That’s all a long time ago now. Sadly he passed away 4 years ago so getting back the ring means so much to me.  He would have loved the fact that the ring brought the two of you together and especially as you are an Egyptologist Laurie. I like reading about Egypt and reading evokes my memories of him.”

After we finished our coffees we toured the Petrie Museum together and soon it was time for Amelie to catch her train.  We knew that we would be friends forever…

a

Wednesday 29 August 2018

Tutankhamun and Nefertiti Crochet Pattern





At long last I have finished these two patterns - its taken about six months to design the dolls and write up the crochet pattern (in my spare time).  I have had it in mind to design these patterns for about 4 years (Charles Dickens wrote 'Procrastination is the thief of time' -from David Copperfield, and this really resonates with me.)

From the early designs in pencil:

 
Nefertiti

 
Tutankhamun

 
Nefertiti's fan (based on that found in Tutankhmun's tomb.



To the finished articles:





I found Nefertiti fairly straight forward to design as a whole but I had trouble constructing Tut's headdress.

At first I thought to do stripes with colour changes, a row first in dark yellow and then a row of blue and so on,  increasing and decreasing where necessary to construct the lapels.  But then I thought that this would be too complicated for others to follow and take all the fun out of making it.  I was a bit fed up of the many colour changes myself to tell the truth.  So I got a piece of paper and drew a front and back for the headdress (simplifying it). I cup out the paper shapes and tried them against the doll to see if it would work.  With the intention of joining two crochet shapes together.
The lines then became strips of chains in blue yarn sewn over the headdress.



Other challenges were the cobra and crook and flail:  The crook and flail in the end are pipe cleaners - although I toyed with the idea of using lengths of chains twisted round and then set stiff using wood glue.  But again I thought I should keep it simple as pipe cleaners are easy enough to buy. 

The cobra is just an 'essence' of the real thing as getting detail in for something that small would be tricky.

I hope you like the finished article!

The patterns can be purchased via my Etsy store


People at Amarna

I have recently listened to an excellent lecture by Chris Naunton  People at Amarna  -  which is about the ancient city of Ahketaten; the ar...